“Lush and sensual mutant synthpop”
– Whitelight/Whiteheat, June 2022

“Since 2019, Pleasure Victim has coated synthpop architecture with knowing disquiet. Sweet Nothings, their newest dispatch, sharpens the angle with their own anti-love song.”
– Post-Punk.com, June 2025

“Moody instrumentals, enticing vocals, and impeccable production…Like David Bowie, Gary Numan, or Roxy Music, instilled with a distinctive dark underground edge.”
– Destroy//Exist, January 2024

“An intricate balance of urgency and subtlety, organic and mechanical”
– Whitelight-Whiteheat track of the day March 19th 2025

“Magnetic performance and an overall mesmerizing sound”
– Darkenin Heart, January 2024

‘Pulsates with an urgent vitality’
– Destroy//Exist, March 2025

‘Ghostly beauty… The melodic structures are so precise and atmospheric that they will stay in my head for a long time.’
– Electrozombies, April 2025

“Intensity that evokes the splendour of Violator (2006 Remaster) or the funky elements of The Downward Spiral. But more so, there’s a heavy dose of old-school Fad Gadget”
– Post-Punk.com, December 2020

‘An intense shivering romantic confession of pleasure and pain.’
– Whitelight/Whiteheat, August 2023

“Their latest single ‘Crossmaker’ completely shakes expectations and shows their versatility”
– Obscura Undead, August 2023

“One hell of a dance banger… pure sex death and ecstasy’
– Post-Punk.com, July 2021